ART 263 / MAN 263
The Business of Art


Church Patronage
Part IV

St. Peter’s in the Renaissance: The Rebuilding


Important artisits during the Renaissance:

In the 16th century strong popes made Rome, once again, a center of culture and wealth. Donato Bramante (1444-1514) drew up plans in 1505, under the patronage of Pope Julius II, for a new St. Peter’s basilica. Pope Julius was a great warrior who desired to make Papal Rome more splendid than the Rome of the caesars. Bramante planned a cross-shaped building with arms of equal length with a huge dome on top. The building of the piers and the walls of the choir were begun when Bramante died . Various architects worked on St. Peter’s until Michelangelo (1475-1569) became chief architect. Michelangelo designed the great dome and lengthened the nave.  Giacomo della Porta (c. 1537-1602) executed the dome which is pictured to the right. Vignola, considered to be the first professional architect, became chief architect after Michelangelo (note: Vignola was not a good businessman; and made much less money than many of his less gifted contemporaries. He was a perfectionist who would not delegate work. He did not work well with partners, clients, superiors or peers.)



During the Renaissance, the Vatican Palace was also aggrandized. Michelangelo painted the Sistine Chapel Ceiling between 1508-1512 and the Last Judgment - between 1534-1541. Raphael painted the Vatican Stanze, including Stanza della Segnatura (see picture upper left).  Michelangelo’s beautiful statue, the Pieta, was eventually moved to St. Peter’s to adorn the first chapel on the right (see picture right). The greatest artists of the Renaissance — Michelangelo, Raphael, Bramante — were involved for much of their careers in the building of St. Peter’s. No expense was spared. Michelangelo also worked on a monumental tomb for Julius II which, due to other demands by popes, was never completed to the satisfaction of Michelangelo. The Moses is one of the figures from that grand but unrealized scheme (see picture lower left). The discovery of the New World brought gold, silver, and diamonds to the coffers of princes and popes in the Renaissance. Pope Julius and other popes of the time were not just church leaders, but leaders of armies and the head of the Vatican, a principality. In 1586 an obelisk, which was brought to Rome in AD 37 from Egypt, was moved from nearby grounds to the center of the square in front of St. Peter’s (see picture lower right). Eighty feet tall and a million pounds, it took a great effort to move, but added to the grandeur of the largest church in the world, at what was the seat of Western Christianity. (The obelisk came from a circus, it was believed, where St. Peter and other multitudes of Christians were executed.) 


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